In a novel celebrity scandal, Timothee Chalamet has found himself in opposition to major performing industries after making a sweeping assertion that “no one cares” about art forms like ballet and opera. The trouble with Chalamet’s barbs is that they are marked by the exclusivity of the environment he has grown accustomed to.
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This past Friday, the Frances Young Tang Teaching Museum and Gallery (or simply “The Tang,” as it is known to students) opened its doors to the Skidmore community to celebrate its 25th anniversary. The museum, named after Class of ‘61 alumna Frances Young Tang, was designed by the architect Antoine Predock and first opened in 2000.
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The Menu, directed by Mark Mylod, is poised to be a cinematic feast. Its narrative is ambitious, its cast is impressive, and its cinematography is simultaneously delicate and striking. Ultimately, however, the film tides viewers over more than it fills them up. Though gripping and provocative, a few too many questions remain unanswered when the credits roll.
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