Fight Club demonstrates in D-Hall

Posted by Jean-Ann Kubler At approximately 6:45 p.m. March 29, a loud argument attracted attention on the blue side of Murray-Aikins dining hall during the dinner rush. The argument was later revealed to be a staged street theater demonstration by the colleges mediation group, Fight Club.

The demonstration began with two members — Chris Lord '12 and Leanne Dwyer '13 — posing as a couple and pretending to have an argument regarding Dwyer's weekend plans.

Dwyer said she wanted to visit a friend at another college, and Lord, acting as her boyfriend, said he would rather she stay on campus because they had not spent much time together recently.

"In mediation terms there is always a topic — which in this case was the weekend plans — and each person has a need. My need was for independence, while Chris' needs were recognition and to be desired in the relationship," Dwyer said.

A Dining Services manager attempting to make the couple leave briefly interrupted the demonstration, but other Fight Club members in The Dining Hall quietly made the manager aware that it was a demonstration.

As the argument escalated a third Fight Club Liaison, Natalie Petrillo-Alvarez ‘11, stepped between Dwyer and Lord and demonstrated the methods of mediation that Fight Club teaches during weekly meetings.

Petrillo-Alvarez asked the couple to speak calmly and identify exactly what each wanted from the other, rather than getting frustrated and yelling. However, group members and students in the dining hall reported not being able to clearly hear Petrillo-Alvarez's mediation because of background noise in the dining hall.

Even though not many people could hear Petrillo-Alvarez's mediation, Dwyer said she still felt the demonstration was successful.

"What Fight Club has been trying to do lately has been to make ourselves more visible on campus so students start recognizing us as a resource … Once this is accomplished then we actually start to inform students about the real process of mediation." Dwyer said.

"Right now Fight Club and conflict resolution is kind of a new thing. We're just trying to attract attention. We may try to do this again in a different place on campus and improve upon the logistics — hopefully not get interrupted," Petrillo-Alvarez said.

According to club co-president Nick Hara '11 the event was partially inspired by Duke Fisher, a professional mediator who works with Residential Life and Leadership Activities. Fisher organized a mock draft in the dining hall on Jan. 31 as part of the Theater of War in a House of Peace performance series.

"A couple of us participated in the Theater of War demonstration and we saw that sort of street theater as a good way to get the message out. The dining hall is a good way to get the message out to underclassmen who can become involved and further the future of the group."

Fight Club will be hosting a "Fight Week" from April 18-22. The week will feature several events hosted by the club to promote conflict resolution, but an exact itinerary has not yet been announced yet.

Fight Club meets on Mondays at 9 p.m. in the Saratoga Room.

Editorial: Make internships accessible

Posted by the Editorial Board

Our college gives deserving students money to pursue unpaid internships. This is the kind of project that needs to be trumpeted by tour guides, praised by professors and buzzed about around campus every March. But first, it needs to become what the college needs: a program that serves the students who deserve help the most.

In the Responsible Citizenship Internship Awards, SGA has created an admirable program that could help level a job search playing field that has historically favored the wealthy and well-connected. But to do this, the program needs to evaluate merit only within a pool of students who have established financial need, to be as certain as possible that money will go to food and rent — not shopping budgets and weekend vacations.

At its best, the RCIA program's importance can't be discounted. It helps combat real unfairness in a world where summer internships historically act as just another way the wealthy take care of their own, where students with financial need stand at a severe disadvantage. Without paychecks attached to many of the top opportunities, positions favor those students who can afford to choose an unpaid internship at their dream post-graduation company of choice, in place of a summer's wages at the neighborhood retail chain.

Limited financial resources can also restrict some students' ability to relocate to pursue opportunities where they're available, a serious issue for those students living in rural or low-income areas. Already without the connections and networking opportunities available to their wealthier classmates, these students can be left with limited options and, come graduation day, bleak choices.

As college graduates become a dime a dozen, work experience has become the chief way that employers differentiate among applicants. But besides helping students win jobs after graduation, internships help students hone in on what they want to do in an overwhelming field of options. Whether an experience is good or bad, these summers can be instrumental in helping students learn what kind of offices and industries suit them best. Back in the classroom, students will find that what they learned on the job can act as a complement to and an application of their professors' lectures.

In short, internships have become as integral a piece of the college experience as caffeine and midterms. As shown in administrative work like the "Transitions and Transformations" document, which highlights the need for "experiential learning," administrators recognize the value and importance of how students spend their summers. In setting up the RCIA program, SGA makes these influential experiences available to more students—a powerful example of how students can put administrative theories into action.

But as this new program begins to take shape, the college needs to structure RCIA as a program that makes internships accessible, not just easy. That is, awards need to be given to only those students who would otherwise be unable to pursue unpaid summer internships, in a very real sense: not because their parents are stingy, or because they'd have to scrimp, but because those opportunities would not be possible. Making that distinction about a student's true financial need won't be easy, but it's necessary. And within that specific pool of candidates, only then should merit be considered.

We're a community that talks a big game about confronting our own privilege. But RCIA could genuinely be a step in that direction, toward a graduation day where all students who walk across the stage have had the same opportunities available to them in the last four years.

This is a program that has the real potential to make our college a better place. Let's not screw it up.

Definitions, denials and decisions: What Would C. Do? Advice from an Anonymous Friend

Posted by C.

Since this is an interesting, diverse topic week, I thought I would consider a word that seems to be the "Skidmore word" of the 2010-2011 school year: BIDDIE. What exactly is a biddie, you ask? The submissions on UrbanDictionary describe it as:

**Disclaimer: The quote is excessively long because I believe this incorporates all that is complicating in an overly used word.

"1. In a generic usage, biddie is the female counterpart of a bro. Where a bro is overly male, overly stupid, and often intoxicated, the biddie is overly female, overly stupid and often intoxicated ... Pejorative but can also be used in a friendly context.

2. A potential for sex. This usage emphasizes the positive aspects of femininity (being hot, being available) and does not always (but can) encompass the more pejorative connotations of the word.

3. A total mess. This usage emphasizes the pejorative aspects ... and does not always (but can) encompass the more complimentary connotations of the word.

This word has been tossed around all year, and it seems we are a bit confused about the true meaning: is it a term of endearment or a term of humiliation? Let me know what you think at SkidWWCD@gmail.com

Dear C.,

My roommate walked in while I was masturbating. Now, it's so awkward…he doesn't look me in the eye. Should I pretend it didn't happen?

Lost in Lubrication

Dear Lost in Lube,

You would be surprised about how often this actually happens — more than you would think and more than you would want it to happen.

If pretending it did not happen is comfortable for you, take that route. However, ignoring the subject may take you down a tense road. If you want, bring it up as casually as possible. Begin by apologizing; this is an awkward situation for both of you, so it is best to nip it in the butt. Perhaps he will sympathize with you, since it could have happened to him, too. The best advice I can give: before you proceed with your five-knuckle shuffle, hold on for one second and lock the door.

Dear C.,

When choosing a place to study abroad, should I base my decision on my academics — completing my major? Or choose a country I've always wanted to visit?

Traveler 101

Dear Traveler 101,

I found myself in this predicament. I decided going abroad is about going to a country where I have never been before, taking classes that are not offered at Skidmore and having a barrel of fun — especially at Oktoberfest. Could I have an amazing time in a country that would further my major? Yes. But I would not have the same level of excitement.

Now consider your situation: are you behind in your major? If so, you might need to compromise and make the system work for you. Look for classes that are similar to your major in your first choice country; ask your advisor and major chairman while professing your love of the country, and hopefully they will consider it.

You might be struggling the rest of your Skidmore career to finish your major, but going to a country you are passionate about might be worth it

Stars and Hearts, C.

Wittes lectures on security policies

Posted by Jean-Ann Kubler

At 6:30 p.m. March 28 in Davis Auditorium, Brookings Institute senior fellow Benjamin Wittes presented a lecture titled "Detention, Rendition, Drones and Commissions: Continuity and Change in National Security Policy Between the Obama and Bush Administrations." About 80 people attended the event, which many described as "unexpectedly witty."

Wittes' academic focuses include the Supreme Court, judicial nominations and confirmations, and the legalities of the War on Terror. Wittes has published several works about legal issues in the War on Terror. Wittes is also the co-author of the popular legal blog "Lawfare."

The lecture began with an introduction by Professor Scott Mulligan, who teaches the government department course "Terrorism in the Law." Wittes spoke to Professor Mulligan's class, as well as Professor Kate Graney's "International Human Rights" class prior to the lecture.

Wittes said there are four lenses through which the national security policies of the Obama and Bush administrations can be compared: substantive powers claimed, the articulated basis for those powers, how the power is functionally used and how the administrations publicly discuss the powers they claim.

Depending on the lens used to evaluate the administrations' policies they could appear very similar or very different, Wittes said. Through the lenses of the powers claimed and how they are used, the Obama and Bush administrations appear to have strikingly similar policies.

However, the administrations articulate the basis for their powers and publicly discuss them in very different ways, according to Wittes.

Wittes said that despite vague promises of change during Obama's campaign, the current president's national security policies are, for the most part, continuations of Bush policies framed with different rhetoric.

As an example, Wittes said that many people point to the dramatic decline in Guantanamo Bay detainees as a success of the Obama administration even though the decline began during Bush's presidency.

"We really overstate the personalization of these tactics to individual presidents. The policies change with the conflict. The presidents are just along for the ride," Wittes said.

Wittes asked the audience for questions after about 30 minutes of lecturing. During the question and answer period, one audience member asked how citizens can be sure that the Obama administration is not using more covert aggressive tactics in the Middle East.

"We know because sometimes things blow up," Wittes said.

Audience members said they were unsure of how to feel about Wittes' somewhat humorous discussion of serious policy issues. "His intelligence combined with his witty delivery of issues of drone warfare and coercive interrogation techniques kind of gave the lecture an interesting vibe, and I came out of it feeling a little odd," Julia Grigel '11 said.

Despite some audience members' reservation about the lecture, others felt it was necessary that national security issues be discussed on campus.

"It's really important that someone of Benjamin Wittes' prominence is on campus, discussing issues that matter to current political discussions," Ethan Flum '13 said.

Beebo Brinker Chronicles' explores gender and identity

Posted by Michelle Minick

Nestled in the intimate (even more intimate than the Blackbox) Studio A, in the Janet Kinghorn Bernhardt Theater, the college's Theater Department presented the student workshop, "The Beebo Brinker Chronicles" from March 23 to 25.

Zoe Johannes '11 directed this noteworthy and provocative play written by Kate Moria Ryan and Linda S. Chapman, which was adapted from Ann Bannon's series of pulp fiction novels.

Set mainly in Greenwich Village during the 1950s, the play deals with the dual reality of homosexual men and women living half of their lives in a closeted world and the other half searching for an honest open home.

As soon as the audience set a foot in the studio, the simple set and the early rockabilly sounds from the 1950s immediately set the tone for the evening. The play was set in the 1950s and the costumes looked as though they came directly off of the set of "Mad Men."

Since the play was located in both a California suburb and New York City, it made sense that the set was so minimal because the play was constantly switching back and forth between the two locations.

The majority of the scenes took place in either the barroom or the bedroom, and for the gay and lesbian characters of the play, these places represented a world where they can be who they want to be, rather than who they are expected to be in reality.

This concept is analogous to the author, Ann Bannon's experience, who wrote these stories as a California housewife, thinking longingly of the life she wanted to live.

The lights, designed by Marcus Goldbas '13, were very simple, and the limited use of lighting instruments provided a nominal, yet an old-time effect, which achieved visual precision that was synonymous with the time period.

"The Beebo Brinker Chronicles" explores a wide array of eclectic and subversive topics and the motley cast of six did an excellent job of conveying these challenging and mature themes.

The audience enters the world through the perspective of Laura Landon (Emery Matson '14), a recent college graduate whose first gay relationship was with a sorority sister, Beth Ayres (Nikki Siclare '13), which ended in heartbreak with Beth's marriage to Charlie Ayres (Lowell Glovsky '14).

Devastated and left to struggle with her identity, Laura moves to Greenwich Village, where she meets a colorful cast of characters, including her flirtatious roommate Marcie (Skye Van Rensselaer '13), Jack Mann (Connor Mullen '14), a witty and flamboyant gay man who lives a closeted life by day and Beebo Brinker (Emma Johnstone '14), a butch, magnetic bartender, who walked with a slight swagger with her hands thrust in her pockets.

Beebo is also smooth and handsome and has a complex relationship with Laura throughout the play. To further express the concept of the dual realities, Laura is ushered into a more open world in the gay community of New York City, while Beth struggles with her unhappy marriage in California.

As the play unfolds, the audience follows the two women on their separate, but parallel individual journeys.

Throughout this drama, Laura and Beth's stories are linked by the recurring motif of lesbian pulp novels, a source of strength and escape for both women.

"The Beebo Brinker Chronicles" aggressively pursues laughs, playing with the novels' more dated and histrionic elements, yet it doesn't settle for caricature of the characters.

The loneliness cavernous beneath Jack's worldly façade, Laura's desperation for fulfillment and Beebo's jealous rages are all complex emotions that darkly edge the play's absurdities, anchoring what could easily have been an exercise in faction.

Through the combination of the directing and acting and through the personal portrayals of Lowell's imploring character, Siclaire's vulnerability, Matson's ability to shift emotions quickly, Mullen's demonstration of a hilarious and precise gay best friend, Van Rensselaer's flirtatious and deceitful behavior and Johnstone's smooth and sharp innuendo all synthesized together and created a cauldron of a provocative and powerful performance.

"The Beebo Brinker Chronicles posed a serious question: is love worth pursuing if it comes at the cost of social scorn, inner pain and turmoil?

In the fraught, socially closed world inhabited by the characters, the pursuit of true love is something dangerous, not just on a personal level, but on a societal level as well. And for some of the characters, the cost is too much in the end.

Yet, there is also a hopeful note: even when there's no reason to hope for the best or for a brighter future, people always will continue to be optimistic. It is a message that reverberates still.

In a society that is far more open-minded than it was in the 1950s, there is still work in progress. It is a fitting message for a college theatrical workshop that stubbornly hopes to reflect its message to the world at large.

College receives 200-acre donation of undeveloped land

Posted by Julia Leef

The college owns and utilizes an extensive amount of land, totaling 865 acres. On December 31st, that total increased when Michael and Margaret Roohan, owners of Granite and Marble Works, Inc. of Wilton, donated 200 acres of undeveloped land to the college. This land, which is located in the town of Greenfield to the north of Daniels Road and next to Nature Conservancy Lands, is to be used to preserve open space, among other purposes.

The Roohans themselves have no prior relationship with the college, and were referred to Skidmore by trustees. Michael West, vice president for finance and administration and treasurer, says that he believes the Roohans decided to donate some of their land after going on a North Woods tour and seeing how the college used its land for research and constructive purposes. "I think they got the idea that this could be something that could work for them," he said.

According to the college's ScopeOnline, an online source for news and events on campus, the land will potentially be used for study and research, much as the 250-acres that are North Woods have been utilized in over 30 courses for academics and for recreation. The donated land itself is undeveloped with wetlands and rock outcroppings, and can only be reached via walking and some logging paths. A committee is being formed under Muriel Poston, acting vice president for academic affairs, to study the land and determine whether or not it would be in the college's best interests to use academically as it has North Woods.

"Views in many areas are spectacular of this unspoiled land," stated the Preliminary Report presented to Faculty Chairs on January 14th in response to the recent donation by the Roohans. The report also stated that phase I of an environmental review, which looks at the historical records of the use of the land, interviews with current and adjacent landholders, a physical walk of the site, potential issues, records from the federal government, as well as hotspots for environmental problems, revealed no negative findings concerning the land.

"From a historical perspective, the site presents an opportunity for past Native American use," the report says, adding that geologists, biologists, botanists, environmental scientists, and wildlife enthusiasts alike, "will see this gift as a significant study opportunity."

An additional hiking trip for both faculty and students is planned for the future, as soon as the ground becomes firm and the snow melts away, bettering the conditions for such an excursion. Once the date is determined, an announcement will be made to the college concerning a tour of the new property, giving people the opportunity to see the land for themselves.

Riley Neugebauer, sustainability coordinator for the college, said that the college is in the process of determining how the new land addition will best benefit students and faculty. "The Roohans' donated the property because they felt that Skidmore College would be a great recipient, for tax purposes, and because they knew it would be a benefit to the college and its students given its location and proximity to existing college land," she said.

"We're very appreciative that the family gave this very generous gift," West said. "When people do get to see it, I think they'll see that it's a very special piece of land." In addition, West has stated that Skidmore will not request tax-exempt status for the donated land, which will thus remain on the Greenfield tax rolls. He also expressed his appreciation to the board, who met specially in December before the winter holiday to discuss the donation, as well as to the cabinet and the president for their support.

The college has always made great use of its land. In addition to North Woods, which provide trails and locations for academic studies, the Van Lennep Riding Stables, comprised of 212 acres, allow students to work and ride both academically and recreationally. The college also owns a small piece of land which it uses as a baseball park, and has property on which the boathouse is located, which provides storage and training use for the college's rowing team. Students have easy access to these facilities, and that availability is apparent in all of the college's uses of its property.

With more land available to it, the college will be able to provide more resources for research and study to both faculty and students. The Roohans' gift is greatly appreciated, and will be used to help extend not only the academic uses of the land, but the natural beauty of it as well.

How to win in the housing lottery

Posted by Taylor Dafoe

It is that time of year again: the puzzling process we call room selection. It can seem to be a straining time for everybody, but in an attempt to curb unwanted stress, this is a walk-through of the process and an attempt to clear up some commonly asked questions.

There are four basic requirements you will need to meet before being eligible to choose housing.

First, your tuition bill must be paid. Second, you must be free of outstanding sanctions within the college. Third, you must be a current student on the Skidmore campus. You will not be able to select if you are traveling abroad or living off-campus. Fourth, you must complete a preliminary application, available online on the Res Life website, before the selection process.

Additionally, there are a few changes in the housing selection process this year. Maybe the biggest change is that there will be no adjoining singles in the dorms. That means regardless of your own number you will not be able to pull lower-numbered friends into your suite. Everyone will choose their living arrangements individually at the time they are assigned to do so.

Substance-free housing will once again be offered as a living option next semester, occupying the third floor of Rounds Hall. There will be an application process for living on this floor, and the most appropriate candidates will be selected.

Finally, there has been a change in the number system that positions students' time slots for selecting housing. It is now one rotation of numbers, spanning from one to 2300. Classes are divided roughly into sectors of 700, with seniors being the first (number one through 700), juniors the next (701 through 1400) and so on. The lowest numbers will have the first time slots.

In regard to the process of choosing your respective living situation, there are a few things you should know.

The housing selection process will not be online this year; you will have to do it in person during the timeslot you are assigned. It will take place in the basement of Wiecking Hall.

Those in charge of the housing selection ask that you take care of questions and ameliorate any potential problems before the morning of your room selection, so as not to delay the process for others. More times than not, most questions can be answered simply by visiting the Res Life webpage on the Skidmore website.

Of course it is simply not possible to satisfy the individual wants of everybody within the student body, and though the Office of Residential Life is more than willing to help in any way it can, keep in mind that there is always a possibility that you do not end up with your first housing choice.

Remember that the Office of Residential life is a resource at your disposal – feel free to stop in to the office at any time during the week with questions or concerns. Hopefully the housing selection process will be a painless one for everybody this year.

Beautiful daze: modern American photography

Posted by Jason Dowd

America's obsession with beauty has grown out of control. It's fueled mostly by ads and pictures in magazines. It seems that every magazine is packed full of fashion photos and beauty product reviews and tips, and, to make matters worse, they are also full of deception.

These magazines not only target adult women, but also impressionable teens and pre-teens, showing them exactly what "true beauty" should look like. The women who look at these magazines then compare themselves to the models and feel anything but adequate in comparison.

The photographs define what beauty is and, therefore, the women who feel they don't match up will do whatever it takes to be as beautiful as the women in the magazines. This is a tactic beauty product companies have used in order to make a multi-billion dollar industry based on the insecurities of women.

Unfortunately, in most cases the photos are completely altered. The model's skin is often digitally airbrushed, her weight is altered and the hips and bust are also enhanced. The problem then is that women are shooting for an unrealistic standard of beauty that can only be obtained through digital manipulation. To the untrained eye the photos look realistic. Women are led to believe that the products these models endorse really do work. What they fail to realize is that these photos are completely fake.

The question is — does it really matter? Is this really hurting anyone? Unfortunately, yes, it is.

The goal is to sell these beauty products in order to make money. As a photographer, I see both sides of the equation. I don't feel there is anything wrong with making money, but I do feel it should be done honestly.

I can see the rationale of the beauty product companies for doing what they do. If they placed people on their ads with major flaws, no one would buy their products. I feel that a little touching up on a photo is fine. If you want to reduce some wrinkles, remove acne or lighten up the shadows underneath the eyes, then go right ahead. However, doctoring the photos to the extreme that they do is just wrong.

Digitally altering photos to the extent they have has led women to compare themselves to the unrealistic. They think that if they are not a size 0 or 1, then they must be fat. And because these older models seen in magazines have absolutely no wrinkles, then female readers feel unattractive with just a few frown lines or crow's feet.

This can make women severely insecure. To make themselves feel better and more beautiful they will go out and buy these beauty products hoping they can achieve the same "results" as seen in magazine ads. And when they don't they are put at risk for more serious problems.

Some women will turn to plastic surgery. There is nothing wrong with plastic surgery, except that it won't last. Breast implants, for one, will need to be checked regularly, and in most cases, replaced after so many years. This is expensive, but once the surgery is completed, these women will have no choice but to spend money maintaining the operation.

In other cases, both women and men will go under the knife to surgically alter their nose or other facial features. Again, there is nothing wrong with this, except every time you go under the knife, you are risking your life. There's also the possibility that the surgery will be unsuccessful and result in a permanent deformity. The sad thing in cases such as these is that the people were fine prior to the surgery, but not afterwards.

If not these things, then weight becomes the issue. In summertime I see ads in magazines and on television talking about the dreaded "bikini season." So, women will often diet in order to look their best in their swimsuits. Hoping to lose weight quickly, some women will turn to fasting, crash diets, dangerous dietary supplements and energy drinks in order to boost their metabolism. All of these methods of weight loss can be extremely dangerous, especially if you are not under a doctor's supervision.

Some women will virtually kill themselves to fit into that size 1 dress because they see so many skinny models on television and in magazines. To these women, thin equals beautiful. In our modern society, there is great pressure to be a certain weight. Interestingly, according to most height to weight charts, 110 pounds for a female who is 5'4" or taller is very underweight.

As these people fight for their optimal weight, they may develop severe eating disorders and other health-related issues. Some will take more drastic measures such as stomach stapling and lap bands, which are medically done, but can be extremely dangerous.

I've been a photographer now since the mid-1980s. I've had clients require me to alter photos to enhance their appearance. In turn, I have successfully shaved 20 pounds off my subjects. I have removed scars, baldness, wrinkles, pale skin, acne, eye bags and other flaws. I have taken away "the muffin top" and created a more toned stomach. If you've never seen these people in person or seen their photos prior to being altered, you'd swear that that's how they look in real life. That's why most people can walk by a supermodel or celebrity and not even recognize them.

What we also tend to forget is that each of us are made from different genetics. With our unique set of genes, each one of us tends to age differently, wear our weight and bulk differently and have different complexions. So no matter what we do to ourselves surgically or cosmetically, a person may never be able to achieve the look they want to because their genes won't allow it. Photoshop, on the other hand, has no idea what a gene structure is.

Apart from the health risks involved with altered photos, we also face an ethical problem. A few years ago I heard a story about a plastic surgeon who gave breast implants to a girl who was less than 16-years-old. The teen simply wanted to enhance her figure. Her parents allowed it, but they too were obsessed with their bodies and had no qualms with plastic surgery.

This young girl said it was her body, and that she could do whatever she wanted with it. She's right, except she forgot a major piece of the equation that both her parents and doctor should have recognized. She was still developing!

The young girl went to a few plastic surgeons and all of them turned her down. Determined to find a doctor, the teenager and her parents kept searching until they found one who had no morals and just cared about the almighty dollar.

As previously stated, this girl was still going through puberty. Some young women do not finish developing until they are in college. So what if that was the case for this girl? What if she grew three cup sizes in addition to the implants and then developed physical and emotional issues down the road? Sadly, as long as there is a desire to be beautiful and the money to pay for it, there will be a doctor who will throw morality out the window to get paid.

In conclusion, I have this to say. We all have a flaw or two; we're human, after all. We need to use these flaws to bring out our strong points. We need to be proud of them and use them to our advantage. Our flaws are what make us unique. They make us stand out in a crowd.

Don't worry what anyone else thinks of you. Don't change yourself to please them. If you want to model or try out for a part, don't ever take one that forces you to alter yourself (other than your hair) because it wouldn't be worth it. Find someone who will accept you as you are.

And most importantly, if you want to diet, do so under the guidance of a reputable doctor and be sure to exercise and eat properly. Don't opt for these dangerous diets and supplements. They may work fast, but they're dangerous and unhealthy; take the weight off gradually. Love yourself and enjoy who you are!

Students volunteering with local dementia patients

Posted by Mariel Kennedy

Many students do not give much thought to the local Wesley Community; the building complex may seem to be little more than a stopover that delays the bus trip to downtown Saratoga Springs. On the contrary Wesley means much more not only to residents and staff members, but also to several Skidmore students looking for volunteer work.

For more than 35 years, the Wesley Community, located at 131 Lawrence Street, has offered what its website calls "an innovative combination of independent housing for older adults and skilled nursing care on a single site."

Services range from apartment complexes to assisted living to in-and-out-patient rehabilitation to long-term care and beyond.

The Wesley Care Center, the complex providing services in long-term care and adult day services, also provides Skidmore students with the chance to brighten the days of many residents through literature.

Interested students can spend time volunteering with Wesley's reading program through 2 Victoria, the floor designated for dementia patients. Students can sign up to come to the center and read to patients with early-stage dementia or Alzheimer's Disease on a regular basis or on a schedule that works for them; times are flexible.

Trudi A. Cholewinski, program manager for 2 Victoria, explains the program developed from Saratoga Reads, a local program in which community members read a book and engage in discussions and events pertaining to the book and the experience.

Recommended types of readings are episodic pieces, short stories, poetry or anything that can be read in full during the 30 to 45 minute timeslot.

Regardless of the material being read, volunteers are both encouraged and expected to be engaging and interactive. Cholewinski said, "The main thing about our residents is that they need someone to speak a bit louder, slower and clearly. Read with enthusiasm. Ask questions. Get imaginative. If the book has pictures, show the pictures to everyone. The one thing they don't want is someone just sitting and reading. It is more of a discussion."

Carol Brown '13 has been actively volunteering with the reading program since the fall semester of her first year at Skidmore.

"Reading aloud is one of the best ways to entertain dementia patients in a nursing home. It can keep them more alert. It can help stimulate their memories," Brown said.

Like Cholewinski, Brown stresses the importance of engaging residents during sessions. Brown feels energy and animation are key, saying, "Stop reading and tell a story, get up and show them pictures, act out a scene, use voices for characters, do anything you can to keep them engaged." Brown says she likes to sing aloud and make sound effects as she reads, adding that it is fine if you do anything embarrassing since the patients will not remember during your next visit.

There can be difficulties associated with working with dementia patients. Brown said, "The hardest part about working in the dementia unit is that the residents will often fall asleep while your reading." However, she says that volunteers just need to understand it is not personal or disrespectful.

Cholewinski said, "The patients generally enjoy the visits from the students/volunteers. Our folks have short-term memory loss. They may not remember that the person came the last time, but in the moment they enjoy it. Also, they enjoy discussing books/stories from the old days, they enjoy reminiscing." Brown describes the residents as some of the sweetest people she has ever met.

Though there are no prerequisites for a position, Cholewinski says she asks potential volunteers to shadow a reader and take a tour of the floor to get an idea of the job and environment. Before being hired, potential volunteers are typically screened.

Again, positions are flexible. Each month, Cholewinski sends out an e-mail to volunteers containing available timeslots. Volunteers can sign up for one or more reading slots.

Cholewinski added, "I am open to suggestions for books, or new ideas to the program. That's the beauty of our floor, we are forever changing and making things better."

Brown says there are several benefits of the program, mentioning specifically creating a connection with the Saratoga Springs community and interacting with peoples who can be underserved by the community. The added knowledge of improving the lives of others is not that bad either.

"More than anything I'll remember every time I made them laugh. Sometimes you'll think the whole room is asleep, and you'll read something funny, and all of a sudden it will come alive because they got the joke too. Those are the moments when you can feel how big of an impact you're making on their lives," Brown said.

Love and war in human history: Daydreams

Posted by Rick Chrisman

There are many facets to one's identity: gender, class, ethnicity, education and so on. But perhaps the most telling aspect of our identities is our behavior. After all, we are no more than the sum of the decisions we make throughout life.

Judging our identity from the perspective of our behavior has its pros and cons. On one hand, it provides an objective and clear indication of what sort of person we are. On the other hand, the decisions we make are permanent and don't always speak well of us.

We are historical creatures. Human lives have a beginning, a middle and an end. Nature itself is cyclical: the sun rises and sets, and summers come and go. All of our days are named and numbered sequentially, and we tag our summers with memories, associating them with the time "when I went to France," and "when I lost my virginity" and "when I underwent surgery."

Our kinship groups are historical, too. In the West, we trace our origins not only to natural beginnings (the Big Bang), but to social beginnings. As the Jews say, "A wandering Aramean was my father." The Christians date their calendars from the birth of Jesus Christ and Muslims chart the progress of Islam.

Human time is measured by important and unrepeatable events such as these. Similarly, the decisions we make stick with us, even our secrets. This can make life quite the adventure. We learn day-by-day from the decisions that we make, and in turn, we make new decisions in response to what we've learned. Brave people say "I'll try anything once." Most risks are rewarded with revelation. But making the same decision again and again with the same negative consequences is self-destruction. Either way, we're always making history.

Our sexual history, the most private part of our private lives, illustrates this best. We divide these experiences up into categories: "what I did for love" and "what I did without love," and "I want more of that" and "I'll never do that again." Our sexual encounters are our history, our identity.

Every decision we make is another ornament on an individual tree with our name on it — that's the glory of life, as well as its downside. Making love is making history. So is waging war, and history is indelible.

When we have doubts about our identity, when we suffer because of our social identities and our tangle of feelings therein, it would help to look at things in a new light, or under a new lens, in order to see our own personal history. Others may not know us this well, but God does. God, the divine creator, calls us out of nature into history. Ultimately we do not belong to this or that SES group, or to Skidmore or to the U.S.. We belong to God. So, as Koheleth says, remember your Creator in the days of your youth, before the silver cord is snapped and the golden bowl broken.

Christopher O'Riley challenges classical music, plays rock

Posted by Julia Grigel

It would be hard to categorize the kind of music heard at Christopher O'Riley's March 25 concert at Skidmore's Zankel Music Center — other than to say it was of the "good" category of music.

O'Riley came to the college as part of the Sterne Virtuoso Series, which has brought other prominent artists such as the Hawthorne String Quartet and The Bad Plus. As part of the Sterne residency, O'Riley gave a master class where he met and spoke with students.

O'Riley's many identities are equally intriguing: he is at once a classical piano virtuoso, admirer and arranger of popular contemporary artists and host of a leading National Public Radio music show.

The show, "From the Top," showcases outstanding young musicians from across the country, making classical music widely accessible and comprehensible.

He has successfully challenged traditional definitions of "classical music," arranging music by artists such as Radiohead, Elliott Smith, Nick Drake and Pink Floyd for piano, and performing these arrangements alongside works by classical composers like Ravel, Beethoven and Schumann.

O'Riley started off the concert with two songs by Elliott Smith, which showcased his technical skill and which also reminded me of why I quit piano in middle school — there are just too many notes.

However, Christopher O'Riley somehow takes what, for me, had always seemed like "too many notes" and turns it into something like an image in sound: a full experience in rhythm, melody and harmony.

He engaged the audience between pieces, speaking powerfully of the tragic and emotionally torn life of Elliott Smith and then following with a dynamic description of his next piece, Schumann's "Kreisleriana" cycle.

This piece, said O'Riley, is Schumann's "most bipolar work." Some movements seemed to be ruled by a chilling dissonance and a desperate effort to resolve to the "right" note.

Others were simple and catchy, and some were as triumphant as a royal procession. The whole piece ended furiously and in a huff.

The second half of the concert included three songs by Radiohead, Pink Floyd's "Us and Them" and Maurice Ravel's "Gaspard de la Nuit," which, in Ravel's own words, is "a caricature of romanticism."

Before he played, O'Riley eloquently described the piece's complexities: its three movements express somewhat morose, surreal visions.

The first movement is about a somewhat malevolent water fairy seducing a naïve sailor and the second is about the harrowing tale of the gallows, through which one note eerily maintains a constant tolling sound.

The last movement, said O'Riley somewhat deviously, "gets quite a bit darker." It is marked, he said, by "a molecular, malevolent presence." His description was spot on, and helped to paint an image in the mind of the listener.

Ravel's strange tone poem was followed by the comforting sound of Radiohead's perennially beautiful "Let Down."

As O'Riley began playing familiar notes, I thought I might miss Thom Yorke's vocals and the reassuring sound of the electric bass.

But my initial fear was quelled by O'Riley's creative take on the song — he used an entirely different bass line, tempting listeners' ears with the interesting sound of the fourth up from the actual bass note.

He then ascended until he finally reached the bass note, but in an uncomfortably high octave, making listeners subconsciously yearn for the drop down an octave (which he finally does give us, to the extreme pleasure of our ears).

It was actually just extremely beautiful and you should listen to his version of the song online.

I went away from the concert with a renewed love for the piano (not to mention a renewed admiration for Ravel).

It's great to see somebody doing something other than "replicating" written music or, what's 1,000 times worse, creating mind-numbing music that satisfies the ear, without creating space for dissatisfaction.

O'Riley plays with the space between what makes listeners comfortable and what makes them uncomfortable, and his music is smarter and better because of it.

Softball splits double-header: Sports Wrap

Posted by Isaac Baker

The softball team played to a split in its double-header against Castleton on Wednesday. Castleton took the first game 3-2, but Skidmore came back with a vengeance, winning the second game 12-1 in five innings.

The Thoroughbreds drew first blood in the opening game – Carol Brown '13 brought teammate Molly Canavan ‘12 home with a big double, making the score 1-0. Castleton responded with an RBI double two innings later to tie the game.

Skidmore then went up in the sixth on an RBI ground ball by Julia Schwartz '13. But Castleton scored two in the seventh, the final run coming on a game-winning hit with the bases loaded and two outs.

After this contentious game, Skidmore took the field again with newfound vigor, and demolished Castleton – warranting the mercy rule by exceeding an eight run margin by the fifth inning. After the teams went run-for-run in the first inning, Skidmore came alive and went on an 11-0 run during the remainder of the game.

Katie Peverada '14 had a brilliant two RBI double in the fourth that cemented Skidmore's dominion. Christina Gargiso '12 and Carrol Brown '13 each finished with three RBIs. After allowing just three hits and one run, Abby Fuhrman '12 picked up the win in just five innings pitched. Skidmore will play at Utica College on Sunday, April 3 .

Men's lacrosse

A big week for men's lacrosse and a strong finish for the riding team

With home field advantage, the men's lacrosse team won three games this week on the Wachenheim turf. The first adversary to fall was Williams College last Wednesday. The Thoroughbreds built up a six-goal lead by the end of the first half, the spread being 8-2.

Senior Ben Cornell scored two of the initial eight goals, and finished the game as the leading scorer with three goals overall. During the third quarter, Skidmore widened the gap with two additional goals, pushing the score to 10-2.

Williams responded with one goal that quarter, and then rallied in the last quarter with three goals, but it was not enough. The final score was 10-6.

The main contributor to Skidmore's success lay in its defensive fundamentals; the defense cleared the ball on 29 of 30 attempts, and stifled all but one of Williams' offensive attempts when it was man down. In addition, goalie Connor Dowling '12 made seven saves and improved his record to 3-0 for the season.

Three days later, the lacrosse team took to the field again, but this time against the U.S. Merchant Marine Academy. Skidmore kept its hot streak alive, demolishing Kings Point 16-7. With the Liberty League opener just ahead, this was a great warm up for Skidmore: every player dressed got playing time, and nine of those players saw the ball into the back of the net.

By the time the clock showed 1:20 in the first quarter, Mike Perlow ‘13, Jeremy Goldman ‘11 and Bryan Connolly ‘13 had already scored, putting Skidmore up 3-0. This set the tone for the entire match, with Skidmore leading throughout.

Wednesday afternoon, Skidmore took the field against RPI in the League opener against the No. 8 team (Skidmore is currently ranked No. 19), where they upset their opponents in an 11- 9 win.

Skidmore took the lead early on, and held it for the entire game. Its margin reached its pinnacle in the third quarter when Skidmore went up 11-4. Though RPI rallied back with five goals in the fourth, the Thoroughbreds held onto their lead to win their first League game.

Jaques Ward ‘11, Mike Holden ‘13 and Perlow picked up two goals a piece; Dowling made 13 saves, contributing to yet another win under his belt. The Thoroughbreds go on the road this Saturday to St. Lawrence for their next game.

Women's lacrosse

The women's lacrosse team suffered its first loss at the hand of Trinity this Wednesday. This was Skidmore's first loss on the season, making its record 4-1 overall. After reaching a 2-2 tie midway through the first half, Trinity strung together three goals before the clock ran down, leaving the field with a 5-2 lead.

Skidmore rallied somewhat in the second half, but did not bring enough fire to smoke out Trinity players who maintained a lead for the remainder of the game. Lauren McCarthy scored half of Skidmore's points, secured three ground balls and controlled three draws.

Despite controlling more draws than Trinity, Skidmore was nearly doubled in shooting by Trinity, the deciding factor in this loss. Skidmore will travel to play RPI on Friday, April 1.

Baseball

The baseball team travelled to play a double-header against Rochester last Friday, March 25; Rochester won the first game 6-4, while Skidmore rallied in the evening and won the second 8-5. These were the first League games of the season for Skidmore, making its league record 1-1, while its overall record is 8-2.

Erik Watkins '14 lit up the scoreboard during the first game with a two-run double in the second. Rochester responded with two RBI singles and then took the lead with an RBI double. Rochester managed to stay on top through the nine innings, making this the first loss for Trevor Brucato '11 who allowed three earned runs and six overall.

The following game proceeded very differently for the Thoroughbreds – by the third inning, they had secured a 5-1 lead, and showed no signs of relenting. Zack Rudman ‘12 threw two no-hit innings, striking out four of the batters, and picked up a save. Nick Laracuente '11 got the win, improving his personal record to 3-0 from the mound, allowing only six hits in his seven innings in the game.

The Thoroughbreds will play away against Vassar this Saturday, and then host Vassar on Sunday, April 3.

Men's Tennis

The men's tennis team came out strong last weekend and beat the Liberty League defending champion Vassar on Saturday, March 26, in Saratoga Springs. The Thoroughbreds won all of the doubles matches, and won four of six singles matches, giving them a five point margin in their 7-2 win.

The team will travel to Vassar's courts to play Amherst College Saturday, April 2.

Women's Tennis

The women's tennis team lost to league rival Vassar Saturday, March 26. Nataly Mendoza '13 had a perfect day for Skidmore, winning both her singles and her doubles match. The rest of the team, however, did not share her zeal, and lost a few key doubles matches that made the difference.

Skidmore will travel to Wellesley, MA this weekend, where they will play TCNJ and Wellesley on Saturday April 2, and Sunday April 3, respectively.

Riding

The Skidmore riding team finished its perfect season with yet another victory at Morrisville last Saturday, March 26. The Thoroughbreds scored 47 out of the 49 possible points, edging out the No. 2 team, Morrisville, by five.

The Thoroughbreds will go to St. Lawrence University on April 9 to compete in the Zone Championships. Flavia D'Urso ‘13, Chelsea Jones ‘12, Kelly Campbell ‘12, Melissa Hillberg ‘13, Emma Weinstein ‘13, Hanae Kimura ‘11, Julia Mazzarella ‘13, Megan Merritt ‘11, Erika Wohl ‘14 and Cecilia Culp '11 were all class winners. Winning both of her classes, Campbell finished as the High Point Rider.

The Thoroughbreds will host the Regional Championships on April 2; Skidmore riders will compete for individual titles at their home course.

Conversation with Eggers fills Zankel

Posted by Noam Dagan

On March 28 writer, editor and publisher Dave Eggers spoke in front of an audience of 600 at the Arthur Zankel Music Center.

Rather than a conventional lecture, Eggers sat down with childhood friend and Assistant Professor of the Government department Flagg Taylor to talk about their childhood together and Eggers' career.

He showed a photo slideshow of himself and Taylor during their childhood and high school days in Lake Forest, Illinois. The audience responded with laughter as Eggers said Taylor was "the smallest kid in cub scouts — they had to special make his uniform."

The conversation then turned to Eggers' discussion of the process behind writing several of his books.

Eggers' body of work is vast, touching on many different genres and mediums. Some of his best-known works include his memoir "A Heartbreaking Work of Staggering Genius," "What is the What," " You Shall Know Our Velocity," and his collaboration on the screenplay for "Where The Wild Things are."

He began by discussing the title of his best selling memoir "A Heartbreaking Work Of Staggering Genius."

"It's a tough thing to live with," Eggers said in reference to the book's title. Eggers told the audience this title was meant to be a placeholder, but by the time he thought of a new title, it had already been printed.

Eggers said he never predicted the success of his first book and that the title was more of an inside joke than a serious artistic decision.

He then recounted how he came to write "What Is the What: The Autobiography of Valentino Achak Deng."

Eggers said the project began when he received a letter from Jane Fonda's adopted foster daughter, Mary Luana Williams, the biological daughter of members of The Black Panthers. Williams requested that Eggers write the biography of Valentino, a Sudanese refugee and member of the Lost Boys program.

Writing the book did not come easy to him, Eggers said, and with great remorse he gave up on the project after three years.

"Two hours after giving it up, it all came to me," Eggers said.

The structure and architecture of the book that he struggled so hard to conceive of finally fell into place, he said.

Eggers also said he decided to incorporate fictional elements rather than keeping the book a biographical account, so he could recreate scenes that would otherwise be impossible to substantiate if it were strictly non-fiction.

Taylor then asked Eggers to explicate his journalistic process and how he gathered research for the book.

Rather than pressing Valentino and his family about the crux of their struggle right off the bat, Eggers said he slowly built a personal relationship with them to understand the grand scope of their life beforehand, "to describe and illuminate the full human being."

In the spirit of being as respectful to Valentino as possible, Eggers said he had the family pre-approve the book before it was published so they could take ownership of their own story, and so "the process could be healing in the end, instead of further violating."

Eggers said after evading near disaster with "What Is the What," he promised himself he would never write about a real person and for a real constituency again for fear of letting them down.

But after Hurricane Katrina slammed the coast of Louisiana, Eggers said he felt compelled to take up a non-fictional project of the catastrophe. "Zeitoun" is the story of Abdulrahman Zeitoun, a Syrian-American and New Orleans native who volunteered to stay behind in the flooded city and help rescue his neighbors.

During the subsequent question -and-answer period, an audience member asked Eggers if he was working on any new projects.

Eggers said he was nearing the end of his next novel, and thanked the audience member for reminding him to finish.

In addition to Eggers' literary pursuits, he is also the founder of the independent publishing house McSweeney's, and co-founder of 826 Valencia, a nonprofit tutoring center for underprivileged kids with locations in Brooklyn, Los Angeles, San Francisco, Seattle, Chicago, Ann Arbor, Washington, D.C. and Boston.

The mission of McSweeney's is to publish writing that could not get published anywhere else. Eggers said he has designated it "the land of misfit writing." With only a 10 person staff, it publishes two literary journals and 20 to 30 books a year.

The 826 Valencia locations are not only literacy centers, but each sells its own line of quirky supplies, according to Eggers. The San Francisco location, for example sells supplies for the working buccaneer, and the Brooklyn location sells tools for the amateur crime fighter.

The quirky retail does serve a legitimate function, however. Eggers said that since all the proceeds fund the center, customers are more likely to purchase something when they see the children working in the back of the store.

After the question-and-answer period, Eggers stayed in Zankel to sign books and answer students' questions in person. "I give excellent insight and advice about relationships," Eggers said.

Moving to the Skidmore suburbs: Challenging Privilege

Posted by Danny Pforte

This is a personal narrative that I gave the social class Intersections Panel, which was held a few weeks ago in Davis auditorium. For those who ask for "evidence" to support the claims I make in my articles, forums such as these have given me the opportunity to provide it. SGA sponsored discussions are other outlets through which students can express their discomfort regarding negative experiences pertaining to their race, sexual orientation and class. I hope my story can be a stepping stone for others toward gaining a new perspective.

I grew up in Cambridge, MA, a place that has had a big impact on my perception of class-related issues. It is one of the few places I have been where the haves and the have-nots live in close proximity, but I never really talked about class as a child. If I could not have the video game or toy that my friend had, it was just because my father didn't let me. I did not question why — I may have whined — but I didn't think of it in regards to class. I was just left empty-handed and envious of my friends.

This silence surrounding class-related issues in my family made them embarrassing. Although my father's job paid decently, my mother's behavior eventually placed my family in a tough situation. She has never held a steady job for very long, and she has obsessive-compulsive behaviors, such as constant hand washing, as well as delusional ideas, thoughts and dreams. For example: during my early adolescence, she was rarely around the house, and spent most of her time with people whom I didn't know. How she met them is beyond me. One day, I woke up to a pissed off father. He screamed that my mother had blown our small savings and, accumulated a credit card debt of $250,000 dollars.

I can only guess that my mother's actions were caused by her suppression of traumatic experiences from her past. But as complex as her situation might be, my dad had married her, and we had to deal with the aftermath. The idea of moving out of our small old apartment became a distant dream. When a window broke, it stayed broken. When our toilet clogged, my dad would suggest that we wash it out with a bucket of water. We had mice every winter and yellow jackets every summer. Needless to say, my home's deteriorating condition caused stress.

We didn't know if we could put up with it anymore, but moving out was not an option. Our stress led to arguments, which often led to blame. My father blamed my mother for our situation, and sometimes he would blame himself for marrying her. But nobody blamed the cannibalistic credit card companies that had taken advantage of my mother. And we never sought the reasons for my mother's worsening mental state. We pushed these large issues to the side because they were just too much to handle at the time, and still are today. We had to focus on surviving from one day to the next.

I am going to fast-forward now to my experience at Skidmore. When I arrived, I had no idea what to expect: I did not visit beforehand, and I did not even know where it was located on a map. Four semesters later, I realized that, as in Cambridge, many people here have that same strong individualistic mentality around which I grew up. But the environment is one that I was not used to. For one thing, Skidmore feels just like a suburb, which is very different from my childhood home. I also hadn't interacted with wealthy people before coming to Skidmore, at least not knowingly, and here, it's unavoidable. But this isn't to say that anybody came up to me and said, "Hey, look at me, I am wealthy and rich." No, class distinctions were hidden from me once again, as they were at home.

I came to my conclusions about the identity of the typical Skidmore student from assumptions that were made about me. It has been assumed that I am "upper middle class." I have been criticized for not having a well decorated room and for the clothes that I wear. "You can't be that poor," some say to me. At times my friends at dinner will talk about all the opportunities they have had, such as jobs during high school and research they've conducted. Sometimes, the conversations get nasty. It will seem as though they think that those of us who haven't had such opportunities are just "lazy bums," or "incapable." Many of my closest friends couldn't make it to college — I guess they were bums.

And then there are the conversations about traveling overseas and around the country, or going on ski adventures at a winter resort, to which my friends assume I can relate. And then there's the criticism of the dining hall food, which also relates to class. I would have loved such a selection as a kid; all I ever ate for dinner was either ramen noodles or Chef Boyardee. In cases such as these, I just sit there quiet and bored.

But it's not only students who make these assumptions; it is the institution as well. My favorite example is the study abroad office. Call me crazy, but why should I use it just because it is there? The farthest I've ever traveled is three-four hours north of Cambridge. I think that the study abroad program is unreasonably unaffordable. And besides that, having that opportunity available to me is new, scary and uncomfortable.

These assumptions have made it difficult for me to share the experiences that make me who I am with most people at this school. I had a tough time adjusting here as a result, as the feeling I get from these assumptions is that I am different and that I don't belong.

So you are probably wondering why and how I am here. It is funny because I believe that my class experience led me to grow up without high expectations of a college education. This is where my different identities come into play. My class experience limited my access to SAT prep classes and even the desire to participate in extra curricular and AP courses. But my part white identity, as well as being a male, both led others to have high expectations of me. As a result, I was motivated to succeed in school.

Looking back, I now realize that no one has told me that I could not do well in school. In fact, most of my teachers have told me the opposite. I remember being scolded by my seventh grade social studies teacher for throwing a paper ball. She asked me what I was doing, and told me that I was "not like those knuckleheads" in our class whom she expected to behave as I had. Unfortunately, most of those knuckleheads were black.

Lastly, I am here at Skidmore because my class struggles did not worsen. A certain point of my life was difficult, but its hardships could be overcome. I don't consider myself mobile, because I don't believe in mobility among social classes at this point in time. I consider myself lucky and privileged, because I know my peers back home went through similar and even worse experiences than me and ended up in dead end jobs, in prison, or dead. And I know that their struggles, as well as those of the 100 million struggling individuals in this country, are silenced as mine were while they chase the lie — I mean dream. Harriet Tubman once said, "I freed a thousand slaves, I could have freed more, If only they knew they were slaves." Let's get free.

Owner of Moosewood Restaurant lectures on experiences

Posted by Erin Dillon

David Hirsch, co-owner of the prominent Moosewood Restaurant in Ithaca, NY, visited Skidmore on March 29. Skidmore Nutrition Action Council, also known as SNAC, presented Hirsch in Emerson Auditorium, where he spoke about his experience in the many Moosewood facets.

Hirsch started out with an architecture degree from City College of New York, but soon found himself working at Moosewood after a not-so-exciting job as a Cornell fraternity cook. "[Moosewood] was so much fun, everybody was so pleasant," Hirsh said.

Hirsh has since advanced from his entry-level position and now gives lectures and cooking classes across the country, in addition to his work on recipe development and Moosewood's line of cookbooks.

Moosewood Restaurant began in 1973 and changed ownership in 1976, Hirsh being among the new group of collective owners. Hirsh explained the concept was to serve food that the owners liked to eat. "The feeling was ‘Hey gang, let's open a restaurant,'" Hirsch said.

Meat was on the original Moosewood menu, but soon the menu evolved to be meatless and less dependent on dairy products and eggs and even offering vegan dishes.

Hirsh mentioned the importance of having healthy, "whole" dishes low in fat and rich in vegetable content.

Moosewood is not only vegetarian, but also nutritious. Hirsh's passion for creating a truly healthy meal seems obvious. Moosewood uses as many organic and local ingredients as possible.

Because of the frequent menu changes, the chefs have to get creative with what is available. Thankfully, there is a database of 12 Moosewood cookbooks on to rely on.

The collective owners have all contributed to Moosewood's cookbook library. Hirsh has worked on each, "Low-Fat Favorites" and "Simple Suppers" to name a few.

The first cookbook was published in 1978, and popularity has since soared. "There are more customers, people making pilgrimages," Hirsh said.

Hirsch emphasized Moosewood's role as a trendsetter in the vegetarian scene. The restaurant has been thriving for the past 30 years, its popularity increasing with each cookbook sold.

"The menu has to be up-to-date in terms of what people want," Hirsch said, "our menu changes every day."

And what do people want? "Everyone disagrees about what healthy is," Hirsch said.

Still, he has seen interest in vegetarianism grow. "A lot of our customers are interested in having meatless meals — some are vegetarians, most are not," Hirsh said.

Attendees nearly filled the auditorium, eager to question David about everything from local produce to his favorite type of veggie burger.

One student asked about Moosewood's motive for serving vegetarian cuisine.

Surprisingly, Hirsh said that ethics and nutrition — while vital to Moosewood — were less important than "playing with the challenge." Moosewood clearly operates in a quite imaginative and experimental manner.

When a student inquired how Moosewood has maintained its popularity for so many years, Hirsh responded, "We became a destination, that made an enormous difference."

Moosewood Restaurant has proven to be a dynamic business, catering to the mores of our generation and drawing people to Ithaca despite the town's remoteness.

String Festival features collaborative effort: Student ensembles join with the Ying Quartet for a night of music

Posted by Rachel Kim

The college's seventh annual String Festival Finale was held on Sunday March 27 at the Zankel Music Center. Participants included four of the college's string ensembles, outside community members.

Members of the Ying Quartet, who had performed at Zankel the night before, worked with five of the seven ensembles.

The first ensemble performed Mozart's String Quartet No. 17 in B-flat Major, "The Hunt." In typical Mozart fashion, the music was light and flowed with ease.

Violinists Rebecca Schwartz ‘14 and Lyndsay Stone ‘14 nimbly played through the fast, intricate notes as the violist Gia Vaccarezza '13 and cellist Bridget Smith '14 played along with strong notes that supported the melody.

The second number featured the Vermont Youth Orchestra that also played a Mozart piece. The String Quartet No. 19 in C Major created an atmosphere that differed from the first performance.

The quartet started with the cellist, Will Kiendl, leading the group with the repetition of slow, ominous notes, creating a serious, somber tone that revealed a different, lesser-known side of Mozart.

Still, the common Mozart qualities showed through when the ensemble quickly jumped into faster, lighter notes. Despite the many tempo changes, all the members stayed together, entering and ending phrases in unison.

Next was The Felix Quartet who performed Mendelssohn's String Quartet No. 3 in D Major. All the members were dressed in black and expressed a seriousness that immediately demanded the audience's attention.

The first violinist sped through the notes with a quick, dramatic pace and hit every high note with accurate pitch.

Violinists Noah Luft-Weisberg and Avery Normandin gracefully intertwined their melodies with that of the cellist Molly Goldstein and violist Paige Normandin, ultimately transitioning the piece into a slow, dramatic quiet. The players ended with a strong chord that resonated throughout the hall.

Another one of the college's string ensembles then performed Beethoven's String Quartet No. 7 in F Major. Each player was able to show individual talent with individual solos.

The piece had a give-and-take feel as the solos were passed along. Cellist James Merrick ‘11 and violist Grace Eire ‘12 produced rich sounds that reflected the Romantic characteristic that is so often found in Beethoven's works.

Another Beethoven piece, the String Quartet No. 9 in C Major, reflected similar rich tones. Another ensemble from the college opened the piece with dramatic loud notes that dropped to softer, quiet ones. The strength of all four players carried through every note until the very end.

The Spectrum Quartet then played String Quartet No. 2 in A minor by Shostakovich, a composer notorious for his difficult pieces.

From the start, the quartet's performance changed the tone of the overall concert. The piece had a more modern sound that contrasted greatly from the Classical Mozart and Romantic Beethoven that preceded it.

There was a dissonance in the notes that kept the audience intrigued and wanting for resolution. Despite the frantic rushes of notes and clashing minor scales between the instruments, the group impressively stayed united throughout the difficult piece.

The last ensemble composed of the college's own students, played Debussy's String Quartet in G Minor. All four players performed with an air of elegance as they gracefully moved their bows across the strings. The piece had a beautiful complexity that was marked by dramatic rises and falls.

Finally, after a 10-minute intermission, all participants and the members of the Ying Quartet crowded the stage and played Beethoven's famous String Quartet No. 9 in C Major.

The violas quickly raced through multiple complicated notes and were followed by the other instruments.

Eventually, all the players filled the entire hall with a loud, grand sound.

With such a large ensemble playing a piece originally intended for four players, the intricate sounds can easily be lost, but the mixture of all the smaller ensembles created a rich resonance.

The performance left the audience stunned in silence and applauding fervently immediately afterward. The final collaboration reflected all the great effort that every participant, with the help of the Ying Quartet, had put into the String Festival Finale.

College announces honorary commencement speakers

Posted by Bradley Morris

The college has recently announced that Colin E. Greene, James M. McPherson and Anne Bogart will be the featured speakers at the 2011 commencement ceremonies. Additional commencement speakers will include Erica Bastress-Dukehart, professor of history, Libby Gronquist ‘11, senior class president, and President of the College Philip A. Glotzbach.

Colin E. Greene is a member of the Board of Education International, a leader for equitable access to quality education in developing countries and principal of the largest secondary school in Antigua.

James M. McPherson is the George Henry Davis '86 professor of American History Emeritus at Princeton University, and a Pulitzer Prize winning author.

Anne Bogart is an American theater director and co-founder and artistic director of the SITI Company with an emphasis on international cultural exchange and collaboration.

Each year, the Skidmore Board of Trustees chooses the honorary speakers. The board awards honorary degrees to those who have demonstrated "exemplary artistic, intellectual, scientific or humanitarian achievement or who have made outstanding contributions to Skidmore College," Gronquist said.

President Glotzbach also invites members of the Skidmore community to suggest possible honorary degree candidates for the following year's commencement.

"From these nominations, the Board of Trustees, on the recommendation of the president and the Trusteeship Committee, votes to confer these degrees," Gronquist said.

Prior to consideration by the Board, the Committee on Appointments, Promotions and Tenure reviews nominations.

The selection process for the professor speaker at commencement takes less time and uses a different process. Unlike the final selection for the honorary speakers, which the students do not get to vote on, the professor speaking is chosen by the seniors.

"The professor is chosen via [write-in] nominations and survey of the senior class after the nominations are counted," Gronquist said.

Commencement will be held on Saturday, May 21 at 10:40 a.m.

Senate working group addresses political expression

Posted by Kat Kullman

On March 28 the SGA Senate met with Barbara Krause, the executive director of the president's office to discuss political expression on campus. Though no conclusions were reached at the meeting, the working group will continue to rework the policies to attempt to increase political activism on campus.

Krause and Jenny Snow '11, vice president for communication and outreach, sit on a working group designed to examine Skidmore's policies on political expression on campus. The group was formed last fall after the college declined a visit from former President Bill Clinton, who was publicly endorsing Scott Murphy at the time. Currently, politicians cannot come to campus if they are soliciting endorsements or funding, thus Clinton was unable to attend.

"We're a nonprofit organization, so we can't have partisan political activities on campus. So we have obligations and we can't put our non-profit status at risk," Krause said.

"Students have been the quietest voices on this issue so far, but they were loudest on the Bill Clinton problem. My question is whether it's our obligation to actively pursue a non-partisan view without violating our status?" Snow said.

One of the committee's suggestions to help bring more political figures to campus was to allow student clubs to invite partisan figures to campus. There would be no Skidmore endorsement or banners, and the club would need to pay a fee for the facilities. However, this would be a way to allow more politicians to visit.

"The college itself has to be non-partisan," Krause said, "But if student groups who bring a speaker had a distancing technique, that might be enough."

While some senators said they were in favor of keeping all political figures off campus to keep our non-profit status, others said it is important to change some of the college policies.

"It's important to make people on this campus more aware. It's important for students to realize that your vote does count. I'd love more opportunities to learn more about politics," Senator Becky Anthony '14 said.

Another senator agreed, saying, "We missed out on something when Clinton didn't come. So something needs to change."

Vice President for Financial Affairs Jono Zeidan '12 said the conditions of the speaker should affect who appears on campus.

"At the heart of this [policy] is how these political speakers will affect our votes," Zeidan said. "But that's not always the case. The conditions on which the speaker is coming should affect these policies."

"We care about academic freedom and political discourse, students having free thought. We just need to decide what kind of speakers support this, and what we can do about these policies to make change on this campus." Krause said.

Plagiarism surveyed at Skidmore

Posted by Mariel Kennedy According to a study on plagiarism and cheating in American universities conducted by the Cornell University Press, "more than 75 percent of students admit to having cheated; 68 percent admit to cutting and pasting material from the Internet without citation."

Stephanie Seidmon '13, an environmental studies major and Writing Center tutor from New Jersey, is currently working on an independent study with Associate Professor of Social Work Crystal Moore to evaluate plagiarism on Skidmore's campus.

The team has produced a quick survey, which Seidmon states will hopefully show "if the Honor Code works in its pursuit to create trust between the students and the college."

The Skidmore Honor Code, which all students pledge during First-Year Orientation, defines plagiarism as "representing the work of another person as one's own: for example, the words, ideas, information, data, evidence, organizing principles, or style of presentation of someone else. Plagiarism includes paraphrasing or summarizing without acknowledgment, submission of another student's work as one's own, the purchase of prepared research or completed papers or projects, and the unacknowledged use of research sources gathered by someone else."

The Honor Code continues to define examples of minor and major offenses.

Seidmon came up with the idea for the survey after taking a class to become a Writing Center tutor last semester.

Her final paper was a research paper explaining how and why plagiarism on college campuses has increased, specifically mentioning technological advancements.

However, Seidmon states, "What the paper was missing was data for small colleges. Many studies have been done on large universities … but there have been very few conclusive studies on plagiarism at small colleges."

Around the same time Seidmon was researching plagiarism, Corey Freeman-Gallant, the associate dean of the faculty for Academic Advising, spoke on "the importance of reporting instances of academic misconduct."

"In just a few short weeks there were more academic integrity violations reported than are usually reported in a semester. With this lack of information about plagiarism at small colleges and the spike in academic misconduct at Skidmore, I decided to turn my final paper from last semester into an independent study this semester," Seidmon said.

Seidmon and Moore are hoping to determine whether students are adhering to the Honor Code; if the data collected proves students are not adhering, they hope to find a way to "better the academic environment so that everyone respects and upholds it."

The project will be continued after the survey data is collected and analyzed.

"We will continue the project by holding discussions and forums and openly communicating about how we can make students feel most comfortable so that honesty and integrity are upheld," Seidmon said.

The survey will be sent out via e-mail to 650 randomly selected students on Tuesday, March 29.

Seidmon said the survey is short and only takes about five minutes to complete.

The survey asks questions about plagiarism in high school and at Skidmore and students' perceptions on the Honor Code.

Privacy is protected, Seidmon said, as "the survey is SSL encrypted and doesn't collect IP addresses, so there is no way to trace the results back to any particular student."

Seidmon hopes all students who receive the survey will participate.

She urges her peers to "help better the academic community here at Skidmore as well as among other small colleges" saying, "you've got nothing to lose."

Victory during break for lacrosse and baseball : Sports Wrap

Posted by Julia Schwartz

Skidmore athletics went on spring break this past week and achieved great success all across the country. The first of successes came from the men's lacrosse team, which traveled to Orlando, Fla. on March 16 to give No. 6 Dickinson College its first loss of the season, with a score of 9-7.

Skidmore sprang off to a quick lead in the beginning of the game with two goals from Ben Cornell '11. After keeping the lead from their jumpstart, Skidmore maintained the advantage at half time 5-2.

When the Thoroughbreds returned to the field after the half, they posted their sixth goal of the game to bring the score to 6-2. Dickinson made its first attempt at vengeance by posting a 3-0 run to bring the score within one point. Skidmore's Jon Hoeg '13 pushed the score up to 7-5, but then Dickinson returned with two goals to tie the score.

Late in the game, Skidmore secured its win first with a goal from Richie Davis '14, followed by Cornell scoring his third goal of the game.

On March 19, Skidmore returned home to play against Clark. The team creamed the Cougars 14-2, and held the score to 14-0 until the last period. Notable contributions to the game came from Cornell, Mike Perlow '13 and Kyle Grillo '13, who each had a goal in the first period.

The Thoroughbreds continued their winning streak as they played Williams at home March 23. After exponentially creating an eight-goal lead, the team was able to pull out a final score of 10-6. Cornell finished the game with three goals, Bryan Connolly '13 had two goals and one assist and Mike Holden '13 provided the two finishing goals.

Connor Dowling made seven saves in the net, bringing his goalkeeping record to 3-0 for the year so far. He received Liberty League Defensive Performer of the Week this past week for his play in goal, making 17 saves in the game against Dickinson and 11 against Clark. Skidmore plays next March 26 at home against U.S. Merchant Marine Academy.

Women's lacrosse

The women's lacrosse team did the least amount of traveling as compared to the rest of the spring teams, playing two games in Westminster, Md.

The Thoroughbreds began play March 15 against McDaniel on the team's home turf. Skidmore was able to pull out a win in the last 48.9 seconds of the game, with a goal from Lindsay Stavola '11 for a final score of 11-10. Stavola ended the game with three goals and two assists, followed by Kimberly Segalas '11 with four goals.

Skidmore returned to the field March 18 to play Wisconsin-Concordia. The Thoroughbreds improved their record to 3-0 with their victory of 14-2 against the Falcons. No. 1 player stood out in the game as 12 different players helped contribute to the demolition of their opponent. Rachel Klein '12 made four saves in the net.

The Thoroughbreds kept their undefeated record flowing as they improved to 4-0 against Castleton March 22 at home, with a score of 19-7. Stavola had a standout game, posting 10 points with six goals and four assists. The team returns to the turf March 30 against Trinity at home.

Men's baseball

Skidmore baseball headed down to Ft. Meyers, Florida for spring break, posting a 7-1 record to begin their season on a high. Their first two wins were against Bethel College, with scores of 6-4 and 3-0. Nick Laracuente '11 pitched the second game tossing his first shutout of the season. He only allowed three hits, giving up no walks and throwing four strikeouts.

The Thoroughbreds kept up their winning streak, beating Nichols in a close game that went into extra innings. They produced 14 hits and won the game on a suicide squeeze from Alex Barber '13 who scored Logan Arena '11 in the bottom of the 10th inning.

Despite Skidmore's 12 hits in its game against Kenyon, they stranded 10 runners on base, leaving them with their first loss of the season 15-2. Even with the loss, the players kept their spirits high and were able to come out on top for the rest of their games.

They swept their double headers against Millikin, which gave the team the confidence to win its last two games on March 19 against Minnesota-Morris, 11-3 and 7-4. Trevor Brucato '11 threw five innings for the win in the first game, giving up nine hits and recording six strikeouts and Jordan Keyser '14 posted the win in the second game for the Thoroughbreds, with Chris Autlet '14 in relief for the first time of the season.

Laracuente received Liberty League honors for two weeks in a row, improving his record for the year so far to 2-0, and Leejay Pollachi '13 receieved Co-Performer of the Week this past week, posting a .429 batting average with eight runs, six RBI and 9 stolen bases. Skidmore returns to the diamond March 26 for their first league game on the road against University of Rochester.

Softball

The women's softball team competed in the Rebel Spring Games in the warmth of Kissimmee, Fla. during spring break, playing in 10 games during the course of six days. The Thoroughbreds had a rough battle as they played against excellent competition from all across the country. Their record for the tournament was 2-8.

The wins came against Hood College and Roger Williams, both of which were impressive scores, 16-7 and 9-2. Despite their losing record, the Thoroughbreds can look forward to opening play March 26 away against Utica, and then they open their home season the following day against Castleton.

Men's tennis

Skidmore packed its rackets and traveled west to Claremont, Calif. during break to play on courts clear of snow at Pomona College. The competition began against Lafayette on March 15, where Skidmore won 5-2. Luke Granger '12 lead the pack with a three-set win at No. 1 singles. He also played doubles with Yahia Imam ‘11 and won 8-6.

The team jumped locations and competed against Bowdoin on March 17 in Pacific Palisades, Calif., conjuring up a close loss of 5-4. No. 1 doubles picked up their second win of the trip 8-2 against the Polar Bears, as well Oliver Loutsenko ‘14 and Alex Fromson ‘13 at No. 3 doubles with the same score. Despite these personal advances, No. 2 doubles lost as did multiple singles players.

Arriving back at its point of origin, Skidmore played against Claremont-Mudd-Scripps March 17 to continue their tour, losing 8-1 against the No. 3 seed. The losses kept pouring in after the initial one, falling short the next day to University of Redlands 6-3 and on March 19 to Pomona. The Thoroughbreds head down to New Jersey March 26 to carry on their season at Stevens Institute of Technology.

Women's tennis

No. 9 Pomona-Pitzer gave women's tennis its first loss of the season in Claremont, Calif. The team lost 9-0, breaking their initial undefeated record for the season. Sophia Bryan-Ajania '14 had the best play of the competition, losing a tight match at No. 6 singles.

The next day proved victorious for the Thoroughbreds, as they won 8-1 against No. 23 UT-Tyler. The team swept in singles, beginning with an effortless win from veteran Rachel Loeb '11. The only loss of the day came from No. 3 doubles, played by Melissa Hirsch '14 and Molly Nolan '14.

After their split performance in California, the Thoroughbreds returned home to play Rochester ranked at No. 20. Skidmore was able to pull out a close win with a final score of 5-4. Tory Engros '12 battled hard to pull out a win at No. 3 singles to help advance the team's record to 8-2.

Nataly Mendoza '13 and Hirsch received Liberty League honors for the week, earning Co-Performer of the Week and Co-Rookie of the Week, respectively, after their performances from the previous week. The Thoroughbreds travel to Vassar on March 26 to compete next in league play.